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Indeed, upon staring at the dead body of his cousin, he says: ".look at you. Among gangsters, Carlito knows there is no real friend, no one to really trust. He did everything he could to get Carlito out of jail, and Carlito regards Kleinfeld as more than a friend. We learn that Kleinfeld's first big clients came through Carlito the once-kingpin, and he hasn't forgotten it. Smarter, knowledgeable, loyal, grateful, and a good friend. He regards Kleinfeld as a better man in so many ways.
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When Carlito finds himself a free man, he knows that Kleinfeld and only Kleinfeld could have made the miracle come true. He scours for the slightest error in the prosecution to nullify decisions of the court. He spouts ACLU cliches to the benefit of his clients. That is how Kleinfeld became rich and successful, a hotshot lawyer who defends mobsters by invoking the sanctity of the law and looking for bugs in the prosecution. So, if lawmen violate any part of the law in their over-zealous prosecution of criminals, a crafty defense lawyer can turn the tables and use the law against them. Even though the law exists to lock up criminals, its rules apply to lawmen as well as to outlaws. Just as animals, though bigger and/or tougher than man, look up to humans as superior creatures with mysterious aura and abilities, gangsters like Carlito have a certain respect for guys like Kleinfeld who, without the use of guns and muscles, can find loopholes in the law to get thugs and murderers out of prison. Gangsters may take pride in their toughness, but they are like animals. While gangsters do business and have their own 'code of the street', when push comes to shove(and it happens quite often), it's about who shoots first and dumps the body in the back of the car. In contrast, gangsters rely mainly on muscle, guns, and brute force. (That is until he discovers otherwise later.)įor all his compromises and questionable methods, Kleinfeld is cut above people like Carlito and his ilk. He knows Kleinfeld is tainted and shady given the nature of his clientele, but he also knows Kleinfeld works within than outside the law. He wants to be in good graces with the law than bet against it.
Once a major drug dealer raking in lots of cash, he is now content to dream about running a car rental place in the Caribbean. His release is like a miracle, and he doesn't want to risk going to prison ever again. He feels totally indebted to Kleinfeld and resolved to go clean. Or that's what Carlito thinks when is out of prison and a free man once again. Whatever he does, he does it legally within the bounds of rules established by the system. He provides service to gangsters, but he isn't outwardly a gangster. He attended law school, got a degree, and uses the law(and invokes legal and ethical principles) to aid his clients. Even though Kleinfeld is a shady lawyer with mobsters as his clients, he is still a legitimate and 'respected' member of society. Carlito was sent away to rot in prison for 30 years, but Kleinfeld got him out after five.
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In the Brian De Palma movie CARLITO'S WAY, Al Pacino's character of Carlito Brigante owes David Kleinfeld(Sean Penn) big time. But our concern here is the role and meaning of Kleinfeld in the story and how it relates to the Real Jew in our world. And one can find many other allusions to Christianity. He knows they are all tainted, all sinners, and each deserves to die as much as he deserves to live. In a way, Carlito doesn't die only for himself but for the sins of all gangsters. Benny Blanco is satan incarnate without possibility of redemption. Kleinfeld acts like a parody of the Old Testament God, especially the One confronted with Job's questions. Carlito and Gail, pregnant with his child, are like Joseph and Mary seeking escape and sanctuary. He dreams of another world, a kind of heaven in Bahamas far away from the world of crime he'd known all his life. Carlito, sentenced to thirty years, is sprung to new life. (He seems to think so.) All the Christian themes and motifs are interwoven throughout the movie.
Imagine Howard Hawks and Alfred Hitchcock with a bit of Robert Bresson, and you have De Palma's second gangster movie, possibly his best work. (The French Revolution sought to turn Paris into the secular Vatican of World Salvation.) As cinema could be said to be the New Religion of France, it is through movies that the French get anything like 'religion'. Though France has long been secular, a certain Catholicist mindset continues to permeate throughout the culture. No wonder it was voted by the French film journal Cahier du Cinema as the best film of the 1990s. If ever a gangster movie was made for the Easter Season, this is it. Note: CARLITO'S WAY is the closest thing to a Passion Play in the Gangster genre.
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